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Managing almost 6 years worth of stock footage has become a challenge. We’ve got everything online on an Xserve hosting nearly 6 TB of footage and project files to a four-seat NAS system (a SAN exceeds our requirements and budget). Adobe Bridge has become an essential part of our workflow. After 2 years of working with a P2 tapeless workflow, the renaming feature in Bridge has been a real life-saver. We usually log and transfer all the footage on our P2 cards, use Adobe Bridge to quickly navigate, and playback the footage.

13 The Metadata Display window allows you to limit the amount of metadata displayed in the Metadata tab. Search: The Reason behind Metadata I’d be lying if I said entering metadata is fun. Personally, I’d rather watch paint dry. So, there has to be a reason to do this beyond the sheer enjoyment of the process. Actually, metadata makes finding your clips a lot faster and easier. As we saw in Chapter 2, if you only have 10 clips, finding what you want is easy. If you have 10,000 clips, finding anything is darn near-impossible if you don’t have some organized way to track them.

The basic problem is that computer monitors use entirely different settings for color compared with video cameras. Because of this, we cannot trust our computer to make critical color decisions. Complicating matters further, the LCD monitors on most lowend cameras are notorious for their inability to accurately display the video being captured. This puts the camera operators in a very difficult position where they cannot trust what they see at the precise moment of production. However, the scopes in OnLocation have limitations.

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