By Richard Harrington

Real-World advertisement tasks offered in complete colour characteristic the paintings of well known artists, Chris and Trish Meyer, Jayse Hansen, Mark Coleran, Ken Locsmandi and others. The tutorials are advertisement initiatives that the artists created for a consumer finances of $10,000 or much less, utilizing in simple terms the plug-ins that include the software program. distinct concentration is given to the basic options which are very important to beginner movement image artists. The better half DVD comprises the resource documents required for the reader to copy the innovations in addition to Apple QuickTime displays of the ultimate initiatives. The initiatives disguise quite a lot of functional purposes together with broadcast animation, big-screen movie trailers, tune video compositing, trade event shows, DVD menu pix, and cel animation with Flash. * Real-World initiatives from 11 movement snap shots professionals * learn how to harness After results' robust toolset * better half DVD contains all resource documents so that you can re-create the tasks

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Extra resources for After Effects @ Work: DV Expert Series

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When deciding whether to implement ground. this technique, ask these questions: Splitting this scenery along red line will Will the camera move in the shot? ) Look at all that used space! Why paint it? When in doubt, go larger. You don’t want to spend time creating backgrounds, only headache-free. ) to find out in After Effects that you under- Do I have scenery in the immediate fore- estimated. ground? :: ANIMATING WITH EASE Do the characters move behind parts of :: PLANNING MULTI-PLANE EFFECTS Although I won’t be teaching you how to the scenery?

This separation is shadow and one for cast shadows. Use vital for implementing effects such as the Brush tool with a black fill and the shadows, dust, and rack focus. alpha at 60% and draw the shadows for each frame. Later you’ll blur them, so :: PAINTING shade beyond the lines of the drawings so I find I do more work filling areas that the Close Gaps misses due to the gap threshold than it saves me by closing my gaps. So for coloring, alternate between the Bucket Fill tool (K) set to Don’t Close Gaps there won’t be a faded edge after applying blur.

When in doubt, go larger. You don’t want to spend time creating backgrounds, only headache-free. ) to find out in After Effects that you under- Do I have scenery in the immediate fore- estimated. ground? :: ANIMATING WITH EASE Do the characters move behind parts of :: PLANNING MULTI-PLANE EFFECTS Although I won’t be teaching you how to the scenery? animate frame by frame in this chapter, I This process involves breaking up the Am I using a rack focus effect? have compiled some tips designed to help elements of your background into mul- you focus on your animating and streamline the process.

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